In exile in the last years of his life, Hussein raced against time to end several paintings, including another on the history of Indian civilization on another 100 years of Indian cinema.
As we entered the room of his luxury apartment in Dubai, deep yellow walls were decorated with about 30 canvas, all in 1956. He announced grandly, “You are now entering a room of history.”
Each medium size work in the room put a seal Village travel (1954). They were similar, small vignates showed rural life and Indian history in ocher and soil colors. Hussain said, “At that time it was priced at barely Rs 100 or Rs 150”, Hussain said that with a Twinkle in his eyes, skyrocketing prices estimates that his actions demanded decades later.
It was called Maria Collection, who was dedicated to his friend whom he gifted to him, but he never sold his life. He eventually returned the entire treasure after 50 years, saying that he belonged to India.
“This collection has my favorite symbolic where I show the birth of Buddha. You know that when Buddha’s mother Maya was pregnant, she had a dream that she had imagined an elephant. Therefore, this nucleus is like her womb with an elephant inside her,” Hussain said with stimulation like her husband.
Hussain’s works since the 1950s, including Village travelIt is believed that his career is one of the best stages in view of complex details in tasks.
